I squeal, in delight, at the bizarre intervals in this piece and am reminded of a secluded desert with the relentless sun, no water, and no hope. I performed, on stage, in CANDIDE, back in 19 ought…cough, cough; and have had the good fortune to play the overture as a violinest at another time. This score remains obsessions an onsession of mine.
Comment by Stephanie Spaulding — May 26, 2010 @ 9:18 pm
This is too weird. I’ve been obsessed with Candide all day. I saw the fabulous production at the 5th AVE Theatre last night and spent today listening to the 97, 94, and 56 versions. I can’t get enough.
SR,
I squeal, in delight, at the bizarre intervals in this piece and am reminded of a secluded desert with the relentless sun, no water, and no hope. I performed, on stage, in CANDIDE, back in 19 ought…cough, cough; and have had the good fortune to play the overture as a violinest at another time. This score remains obsessions an onsession of mine.
Comment by Stephanie Spaulding — May 26, 2010 @ 9:18 pm
This is too weird. I’ve been obsessed with Candide all day. I saw the fabulous production at the 5th AVE Theatre last night and spent today listening to the 97, 94, and 56 versions. I can’t get enough.
Thanks for deconstructing quiet.
Cheers
Brian
Comment by Brian — May 27, 2010 @ 7:52 pm
The beginning sounds like an oboe and bass clarinet playing two octaves apart. Slightly out of tune octaves. “Some ugly-ass instrument,” indeed! haha
Comment by Casey Cronan — May 28, 2010 @ 7:54 am
Just kidding about the oboe being ugly, but on another note, Barbara Cook is always a delight to hear. Thanks for the deconstruction.
Comment by Casey Cronan — May 28, 2010 @ 8:02 am
That “weird melody” at the beginning is a 12-tone row, no?
Your fan in Paris,
William
Comment by William Graff — May 31, 2010 @ 11:48 am
I think the “move toward you” refers to a game of chess they’re playing. (I love this song!)
Comment by Ricky Graham — July 5, 2010 @ 9:28 am